
When I was an undergraduate getting ready to embark on a year-long writing project about an aspect of Ciceronian legal rhetoric, my advisor suggested somewhat strongly, but very politely, that I get a hobby.
Because it was September, and I was a mess of stress and anxiety.
So I signed up for a calligraphy class at one of the local community colleges. Every Friday morning, I gathered my large paper pad, pens and nibs, pencils, erasers and inks, and left my apartment early in the morning to catch the first of three buses to get to class. Three hours of class and lunch in the cafeteria later, I caught the first of three buses back to school.
I loved it. I loved everything about it, even the bus rides that took me away from campus for a little bit each week. I loved inky fingers and messy lettering practice. I loved the materials and equipment. I loved the history (I went to school at Reed College, in Portland, Oregon, home to a pretty well known calligrapher: Lloyd Reynolds. My teachers were a couple of his students, and they were — and continue to be! — very accomplished in their own right).
In some ways, it wasn’t the healthiest activity. I struggled with perfectionism… practicing calligraphy did not help with that. And I was looking for an escape, rather than a way to manage my anxiety, so in addition to fueling perfectionism, I was giving the experience way more weight than it deserved.
And then, when I was telling my mom how much I enjoyed the experience and wanted to learn more and maybe try to figure out how to do some of it professionally, she said, “ok, but how are you going to make a living with it?“
I hadn’t thought that far ahead, and at that point I wasn’t considering it as a career — I was young, it was still an emerging hobby, and I was a long way from being able to earn bus fare doing it, let alone make an actual living. My assumption that you have to have everything planned out before you start, my lack of confidence in my ability to create something that worked, and that conversation killed it for me.
I continued practicing calligraphy for a few years after that (even served on the board of the calligraphy guild in NYC for a couple of years, and did some place cards). Then I got to do two years’ worth of typography when I studied graphic design (one of my instructors had us draw a different typeface every week: upper case, lower case, numbers, and basic punctuation. It was a lot of work, and I loved it).
That was a long time ago. These days I’m enjoying some Trader Joe’s sign writers on Instagram — they’re doing wonderful work, and it’s so fun to watch them create playful, colorful compositions that are supposed to be ephemeral. On the opposite end of that spectrum is John Stevens’s beautiful carved inscriptions.
Here’s the thing. There’s a place for beloved hobbies, even if they never become careers. I see so many talented actors, singers, knitters, bakers, horse folk, gardeners, and artists, who make their livings as teachers, admins, librarians, postal carriers. (One of the Trader Joe’s sign artists I follow is an abstract artist, and the sign work is steadier income.) Point is, everybody has to juggle something, and if you’re lucky, you get to choose what you juggle.
Also, I miss that part of my existence — not the perfectionism, but letterforms and the close observation of them. Maybe it’s time to start drawing letters again.
